"Not to Harmony or to Rationall Beauty": The Representation of Urban Space in E. E. Cummings' Complete Poems, 1904-1962 and Peter Ackroyd's Hawksmoor.
Tato disertační práce se zabývá problematikou zobrazení městského prostoru v poezii E.E. Cummingse a v próze Petera Ackroyda, konkrétně v jeho nejznámějším románu Howksmoor. Ačkoliv je dílo těchto dvou autorů zřídka srovnáváno, tato práce ukazuje, že lze najít pro takovéto srovnání přesvědčivé důvod...
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| Typ dokumentu: | VŠ práce nebo rukopis |
| Jazyk: | Angličtina |
| Vydáno: |
2012
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| Témata: | |
| On-line přístup: | http://is.muni.cz/th/195584/ff_d/ |
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| 245 | 1 | 0 | |a "Not to Harmony or to Rationall Beauty": The Representation of Urban Space in E. E. Cummings' Complete Poems, 1904-1962 and Peter Ackroyd's Hawksmoor. |h [rukopis] / |c Zénó Vernyik |
| 260 | |c 2012 | ||
| 300 | |a 232 l. | ||
| 500 | |a Vedoucí práce: Milada Franková | ||
| 502 | |a Dizertace (Ph.D.)--Masarykova univerzita, Filozofická fakulta, 2012 | ||
| 520 | 2 | |a Tato disertační práce se zabývá problematikou zobrazení městského prostoru v poezii E.E. Cummingse a v próze Petera Ackroyda, konkrétně v jeho nejznámějším románu Howksmoor. Ačkoliv je dílo těchto dvou autorů zřídka srovnáváno, tato práce ukazuje, že lze najít pro takovéto srovnání přesvědčivé důvody. Zevrubná analýza textu s využitím tzv. teorie prostoru ukazuje, že struktura městského prostoru má v těchto dílech mnoho společných rysů, ačkoliv je dělí tisíce kilometrů a několik desetiletí. Tyto společné prvky se však v textech nevyskytují náhodně, ale na základě jasně definovatelných důvodů. New York, jak ho ve svých básních popisuje E. E. Cummings, je tvořen několika místy v centru města, především na Manhattanu, a to v Greenwich Village a okolí. Nejdůležitějšími místy, která určují základní dynamiku světského versus posvátného prostoru, jsou Dick Mid’s Brothel, McSorley’s Pub a Hassan’s Place. Tyto lokace lze označit za jakési svatyně a brány mezi zónami nebe, země a podsvětí. Město |% cze | |
| 520 | 2 | 9 | |a This dissertation deals with the issue of urban space in the poetry of E. E. Cummings and the prose of Peter Ackroyd, as represented in his best known novel, Hawksmoor. It shows that although the oeuvres of these two authors are rarely considered to be connected or similar in any way, there nevertheless is a good and academically sound reason to compare them. Through a close analysis of texts from the perspective of spatial theory, it identifies a deeply shared commonality in the structure of urban space that binds the analyzed texts together even over thousands of miles and several decades. More importantly, however, that commonality is shown not to have been caused by mere coincidence, but a set of well-definable reasons. The New York City that emerges from the poems of E. E. Cummings is made up of a limited set of inner-city sites, primarily in Manhattan, and most often in or around Greenwich Village. The central locations organizing the sacred vs profane dynamics of this city space |9 eng |
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