Poetičeskaja i perevodčeskaja transformacija žanra avtorskoj pesni sintetičeskij žanr avtorskoj pesni v kontekste russkoj kul'tury : V mire pecennych proizvedenij Vladimira Vysockogo
Cílem disertační práce bylo popsat syntetický žánr autorské písně a zaměřit se na tvůrčí básnickou osobnost V. S. Vysockého, která je nazírána z hlediska intertextu, persvaze, psychohermeneutiky a zároveň je srovnávána se svými současníky. V práci jsou ukázány metamorfózy žánru AP v jiné syntetické...
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| Typ dokumentu: | VŠ práce nebo rukopis |
| Jazyk: | Ruština |
| Vydáno: |
2011
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| Témata: | |
| On-line přístup: | http://is.muni.cz/th/162683/ff_d/ |
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| 100 | 1 | |a Jelínek, Igor |7 jo2016911432 |% UČO 162683 |4 dis | |
| 242 | 1 | 4 | |a The transformation of the "avtorskaya pesnya" genre in its poetics and its translation |y eng |
| 245 | 1 | 0 | |a Poetičeskaja i perevodčeskaja transformacija žanra avtorskoj pesni |h [rukopis] : |b sintetičeskij žanr avtorskoj pesni v kontekste russkoj kul'tury : V mire pecennych proizvedenij Vladimira Vysockogo |c Igor Jelínek |
| 260 | |c 2011 | ||
| 300 | |a 151 l. | ||
| 500 | |a Vedoucí práce: Miroslav Mikulášek | ||
| 502 | |a Dizertace (Ph.D.)--Masarykova univerzita, Filozofická fakulta, 2011 | ||
| 520 | 2 | |a Cílem disertační práce bylo popsat syntetický žánr autorské písně a zaměřit se na tvůrčí básnickou osobnost V. S. Vysockého, která je nazírána z hlediska intertextu, persvaze, psychohermeneutiky a zároveň je srovnávána se svými současníky. V práci jsou ukázány metamorfózy žánru AP v jiné syntetické umělecké formy, které reprezentují zejména bard-rock a rocková poezie. Základní interpretačním principem uplatňovaným v celé práci je hermeneutika. V závěru jsou rovněž kriticky hodnoceny překlady písní V. Vysockého z pera V. Dvořáka, J. Moravcové a také I. Jelínka, autora disertační práce. |% cze | |
| 520 | 2 | 9 | |a The aim of the present disertation thesis is to describe the synthetic genre of "avtorskaya pesnya" and to focus upon the creative poetic personality of V. S. Vysotsky. It deploys the disciplines of intertextuality, persuasion, and psychohermeneutics, which are complemented by a comparison of the genre with its contemporaries. The metamorphoses of the "avtorskaya pesnya" into other synthetic artistic forms, such as bard-rock and rock poetry, are also shown. The basic interpretation principle applied within the whole thesis is hermeneutics. In the final chapters the translations of V. Vysotsky's songs made by V. Dvořák, J. Moravcová and I. Jelínek have been critically analysed. |9 eng |
| 600 | 1 | 7 | |a Vysockij, Vladimir, |d 1938-1980 |7 jn19990210661 |2 czenas |
| 648 | 7 | |a 20. století |7 ch460558 |2 czenas | |
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| 650 | 0 | 9 | |a cultural life |2 eczenas |
| 650 | 0 | 9 | |a hermeneutics |2 eczenas |
| 650 | 0 | 9 | |a interpretation and reception of literature |2 eczenas |
| 650 | 0 | 9 | |a literary translations |2 eczenas |
| 650 | 0 | 9 | |a Russian poets |2 eczenas |
| 650 | 0 | 9 | |a texts of songs |2 eczenas |
| 655 | 7 | |a disertace |7 fd132024 |2 czenas | |
| 655 | 9 | |a dissertations |2 eczenas | |
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| 710 | 2 | |a Masarykova univerzita. |b Ústav slavistiky |7 kn20020321090 |4 dgg | |
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