Gawkers : art and audience in late nineteenth-century France /
How the urban spectator became the archetypal modern viewer and a central subject in late nineteenth-century French art Gawkers explores how artists and writers in late nineteenth-century Paris represented the seductions, horrors, and banalities of street life through the eyes of curious viewers kno...
Uloženo v:
| Hlavní autor: | |
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| Typ dokumentu: | Kniha |
| Jazyk: | Angličtina |
| Vydáno: |
Princeton, New Jersey :
Princeton University Press,
[2022]
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| Témata: | |
| On-line přístup: | Elektronická verze přístupná pouze pro studenty a pracovníky MU |
| Příbuzné jednotky: | Tištěná verze::
Gawkers : art and audience in late nineteenth-century France. |
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| 100 | 1 | |a Alsdorf, Bridget, |d 1977- |7 jo20181004539 |4 aut | |
| 245 | 1 | 0 | |a Gawkers : |b art and audience in late nineteenth-century France / |c Bridget Alsdorf |
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| 505 | 0 | |a Chapter 1. Accident -- Chapter 2. Audience -- Chapter 3. Street Theater -- Chapter 4. Attraction | |
| 520 | 2 | 9 | |a How the urban spectator became the archetypal modern viewer and a central subject in late nineteenth-century French art Gawkers explores how artists and writers in late nineteenth-century Paris represented the seductions, horrors, and banalities of street life through the eyes of curious viewers known as badauds. In contrast to the singular and aloof bourgeois flâneur, badauds were passive, collective, instinctive, and highly impressionable. Above all, they were visual, captivated by the sights of everyday life. Beautifully illustrated and drawing on a wealth of new research, Gawkers excavates badauds as a subject of deep significance in late nineteenth-century French culture, as a motif in works of art, and as a conflicted model of the modern viewer. |9 eng |
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