Intellectual property and sports : essays in honour of P. Bernt Hugenholtz /

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Další autoři: Sefntleben, Martin (Editor), Poort, Joost (Editor), Eechoud, M. M. M. van, 1967- (Editor), Gompel, Stef van (Editor), Helberger, Natali (Editor)
Typ dokumentu: Kniha
Jazyk:Angličtina
Vydáno: Alphen aan den Rijn : Wolters Kluwer Law International, 2021
Edice:Information law series ; volume 46
Témata:
Hugenholtz, P. B., > 1955-
právo duševního vlastnictví
duševní vlastnictví
sport
intellectual property law
intellectual property
Evropa
Europe
e-knihy online
e-books online
On-line přístup:Elektronická verze přístupná pouze pro studenty a pracovníky MU
Příbuzné jednotky:Tištěná verze:: Intellectual property and sports
Obálka Obsah Přejít na ObalkyKnih.cz
Obsah:
  • Intro
  • Title Page
  • Copyright Page
  • Contents
  • List of Authors
  • Part 1: Starting Whistle
  • Introduction: An Information Law Approach to Intellectual Property and Sports
  • Part 2: Players and Sporting Achievements: Copyright and Celebrity Rights
  • Protection of Sporting Achievements per se in Particular by Copyright Law: Some Notes about Justifications and Proper Boundaries
  • 1. Introduction
  • 2. Copyrightability of Sporting Achievements per se
  • 3. The Asser/IViR Report on Sports Organisers' Rights in the EU
  • 4. Relevant Case Law of the CJEU
  • 5. Conclusion
  • Post Scriptum
  • Get a Move On: Copyright in Movement
  • 1. Testing the Copyrightability of Sporting Movement
  • 2. Moves as Ideas
  • 3. Moving in Digital Steps
  • 4. The Moving Subject
  • 5. Moving to a Conclusion
  • Copyright and Choreography: Exploration in Three Acts Marie-Christine Janssens
  • 1. Prelude
  • 2. First Act
  • 2.1Warming Up (Definition)
  • 2.2Setting the Scene (Statutory Framework)
  • 3. Second Act
  • 3.1Port de Bras (Requirements)
  • 3.2Développé (An Expression)
  • 3.2.1At the Barre (A Fixation)
  • 3.2.2Interlude with a Cheese Snack
  • 3.3Enveloppé (Originality)
  • 3.3.1Plié (Basic Steps)
  • 3.3.2Kick-Jeté (New Steps)
  • 3.3.3La Chute d'Icare (Dance Phrases)
  • 3.3.4Assemblé (Derivative Nature)
  • 4. Third Act
  • 4.1Glissée (The Non-Copyright Discourse)
  • 4.2The Black Swan (Unfinished Part)
  • 5. Révérence
  • A Repetition of Moves
  • 1. Introduction
  • 2. Chess and Copyright in Literature
  • 3. What Moves the Chess Player?
  • 4. Boundaries of Copyright
  • 5. What Chess Players Are Entitled To
  • 6. Databases
  • 7. Conclusion
  • Tattoos: Control and Ownership of Body Art? Some Cultural Historical, Aesthetical and Legal Reflections
  • 1. Dedicatio
  • 2. On the History of Tattoos
  • 2.1Tattoos and Culture
  • 2.2Tattoos, the Self and the Others.
  • 3. Tattoos, Social Communication and the Law
  • 3.1Tattoos and Aesthetics
  • 3.2Aesthetics of Neutrality
  • 4. Tattoos and Ownership
  • 4.1The Issue
  • 4.2Tattoos and German Copyright Law
  • 4.2.1Copyrightability
  • 4.2.2Ownership
  • 4.2.3Scope of Protection
  • 4.2.4Transfer of Rights
  • 4.2.5Personality Rights and Data Protection
  • 4.3 US Law
  • 5. Coda
  • 'The Portrait of a Gentleman' - The Cruijff Case
  • Commercial Rights of Sportspersons in Their Portraits: Better Protection through a 'Lex Hugenholtz II'?
  • 1. What Kind of Legislation is to be Considered?
  • 2. Lex Hugenholtz II
  • Sports Celebrities and Character Merchandising in the United Kingdom
  • 1. Introduction
  • 2.'Passing off' Defined
  • 3. Passing off and Character Merchandising
  • 3.1The Common Field of Activity Hurdle
  • 3.2A Way Forward Emerges
  • 3.3Recognition of a Role for Passing Off
  • 4. Defamation
  • 5. Malicious Falsehood
  • 6. Conclusion
  • The Use of Personal Characteristics in Sports Manager Games Thomas Riis
  • 1. Introduction
  • 2. Personality Rights
  • 2.1Sports Games
  • 2.2The Handball Manager Game
  • 3. Trade Mark Rights
  • 3.1Personal Names
  • 3.2Names and Logos of Sports Clubs
  • 4. Final Remarks
  • Part 3: Sports Clubs: Organisational Efforts and Branding
  • Sports as Policy Levers in Intellectual Property Lawmaking
  • 1. Introduction
  • 2. The Protection of (Live) Sports Events Through Broadcasting Rights
  • 3. Establishing a New Right for Sports Event Organisers
  • 4. Preserving the Territorial Licensing Model of (Live) Sports Broadcasts
  • 5. Conclusion
  • Football, Copyright ... and the Art of 'Tiki-Taka'?
  • 1. Introduction
  • 2. Sports Events and Exclusive Rights
  • 2.1Sports Events as Works of Authorship
  • 2.2Sports Events as Audiovisual Recordings
  • 2.3Broadcasting of Sports Events
  • 2.4Specific Neighbouring Rights for Sports Events?.
  • 2.4.1Italy: A Related Right for Sports Events
  • 2.4.2Other Sport-Related Regulations
  • 2.4.3Spain
  • 3. What about Athletes?
  • 3.1Messi is not a Performing Artist
  • 3.2Bullfighters are neither Authors nor Performers
  • 3.3And what about e-Sports Gamers?
  • 3.4Is This an Optimal Outcome?
  • 4. Conclusion
  • Do We Need More Copyright Protection for Sports Events?
  • 1. Introduction
  • 2. Sports Events, Recordings and Transmissions as Objects of Protection
  • 2.1No Copyright Protection for Sports Events 'as Such'
  • 2.2Some National Protection for Sports Events as Such
  • 2.3Protection for Recordings and Transmission of Sports Events
  • 2.4Failed Attempt for Related Rights Protection in the CDSM Directive
  • 3. Enforcement Avenues
  • 3.1Blocking Injunctions
  • 3.2Article 17 CDSM Directive
  • 3.3The 2021 European Parliament Resolution on Challenges of Sports Events Organisers in the Digital Environment
  • 4. Conclusion
  • Exclusive Rights to Carnival Parades: In Comparison with Professional Football
  • 1. Introduction
  • 2. Carnival
  • 2.1Intervention
  • 2.2Implicit Consent
  • 2.3Interim Result
  • 3. Professional Football
  • 3.1Legal Nature of Broadcasting Rights
  • 3.2Legal Nature of the Transfer of 'Transmission Rights'
  • 3.2.1Transfer of the Rights to Injunctive Relief?
  • 3.2.2Transfer of Consent?
  • 3.2.3Authorisation Based on Application of 185(1) BGB by Analogy?
  • 3.2.4Contract for the Benefit of Third Parties
  • 3.2.5Assignment of the Claim to Acquiescence
  • 3.3Consequences for Antitrust Practice
  • 4. Conclusion
  • Organisers of Sport Events: A Neighbouring Right?
  • 1. Introduction
  • 2. The German Report of 2006
  • 2.1Condition of Important Investments Made
  • 2.2The Public Interest of Sports Activities
  • 2.3The Risk of Market Failure
  • 2.3.1Market Failure by Absence of Investment.
  • 2.3.2Market Failure Caused by Too Much or Inadequate Protection
  • 2.4Conclusion
  • 3. The Study by the Asser Institute and IViR of 2014
  • 3.1The Approach in the Asser/IViR Report Differs from the German Report
  • 3.2Conclusion
  • 4. The Performance of the Athletes and Players as a Basis for Protection?
  • 4.1Whether a New IP Right for Performers and Players is in the General Interest
  • 4.2The Risk of Market Failure
  • 4.3Image Rights: A Heterogeneous, Unstable Form of Protection
  • 4.4No Neighbouring Right for Athletes and Players as Performers
  • 4.5A Neighbouring Right for Sports Organisers?
  • 5. Conclusion
  • Sui Generis Rights: From Geschriftenbescherming to the Protection of Sport Event Organisers
  • 1. Introduction
  • 2. A New Problem
  • 3. The Three Options
  • 4. Sui Generis Rights
  • 5. Geschriftenbescherming (Nineteenth Century)
  • 6. Semiconductor Chip Protection (1987)
  • 7. Neighbouring Right of the Performer (1993)
  • 8. Neighbouring Right of the Phonogram Producer (1993)
  • 9. Neighbouring Right of the Broadcaster (1993)
  • 10. Neighbouring Right of the Producer of the First Fixation of a Film (1995)
  • 11. Database Sui Generis Right (1999)
  • 12. Trade Secret Protection (2018)
  • 13. Neighbouring Right for Publishers of Press Publications (2021)
  • 14. No Sui Generis Right (Yet): Sport Event Organisers
  • 15. Conclusion
  • Is the Unauthorised Commercial Exploitation of Sports Events Unfair?
  • 1. Introduction: from 'Eleven Friends' to 'Big Business'
  • 2. Misappropriation and Sports Events in Four Jurisdictions
  • 2.1Rejecting a Misappropriation Doctrine: Victoria Park Racing (Australia and England)
  • 2.2Restricting the Misappropriation Doctrine through Copyright Pre-emption: National Basketball Association v. Motorola (USA)
  • 2.3The Limitations of a Narrow Misappropriation Doctrine: Hard Pitch Heroes (Germany).
  • 2.4The Limitations of a Broad Misappropriation Doctrine: FFR v. Fiat (France)
  • 3. Analysis
  • 3.1Common Ground and Disparity
  • 3.2The Major Football Clubs' Main Revenue Streams
  • 3.3Ticket Sales and Provisions against Resale
  • 3.4Sponsorship and 'Ambush Marketing'
  • 3.5Unfair Competition Law as the Legal Basis of 'Broadcasting Rights'?
  • 4. Conclusions
  • An Economic Note on Reselling Tickets
  • 1. Introduction
  • 2. The Economic Logic of Ticket Pricing and Ticket Resale
  • 2.1Why is Ticket Resale so Persistent?
  • 2.2Why Do Organisers Resent Resale?
  • 3. Discussion: Combatting Resale
  • Ethnic References in Branding and Artificial Intelligence Content Moderation: From the Ajax 'Jews' to the Washington Redskins and Beyond
  • 1. Introduction
  • 2. Ajax
  • 3. Ethnic References as Sports Team Brands
  • 4. Ethnic References as Trademarks
  • 5. Reclaimed Epithets
  • 6. Social Media Content Moderation and Artificial Intelligence
  • Sacrificing the Gods on the Altar of Sports: The Redefinition of Cultural Symbols in the Sports Sector
  • 1. Introduction
  • 2. Sports and Gods
  • 3. Trademarks as Communication Tools
  • 4. Sign Devaluation
  • 5. Conclusion
  • Part 4: Sporting Events: Rules of the Game, Event Data and Reporting
  • Database Rights in the EU's Data Strategy: A Question of Sport?
  • 1. The Introduction of the Database Right
  • 2. Sports Data Markets and Players
  • 3. The Sui Generis Right for Sports Data
  • 4. Revisiting the Spin-off Doctrine in Light of the EU Data Strategy
  • Of Football Fixtures, Football Matches, Jeans, Sweatshirts ... and a Folded Bike: Functionality in the CJEU's Copyright Case Law
  • 1. Introduction
  • 2. Autonomous Concepts of EU Copyright Law, Their Interpretation and Application
  • 3. Functional Elements in Copyright Law - Different Proposals and a 'Pragmatic' Approach.
  • 3.1A Horizontal Functionality Doctrine within IP?.

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