Research handbook on art and law /
"Featuring international contributions from leading and emerging scholars, this innovative Research Handbook presents a panoramic view of how law sees visual art, and how visual art sees law. It resists the conventional approach to art and law as inherently dissonant - one a discipline preoccup...
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| Další autoři: | , |
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| Typ dokumentu: | Kniha |
| Jazyk: | Angličtina |
| Vydáno: |
Cheltenham :
Edward Elgar Publishing,
2020
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| Témata: | |
| On-line přístup: | Elektronická verze přístupná pouze pro studenty a pracovníky MU |
| Příbuzné jednotky: | Tištěná verze::
Research handbook on art and law |
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| 245 | 0 | 0 | |a Research handbook on art and law / |c edited by Jani McCutcheon and Fiona McGaughey |
| 264 | 1 | |a Cheltenham : |b Edward Elgar Publishing, |c 2020 | |
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| 505 | 0 | |a Foreword -- Introduction to the research handbook on art and law / Jani McCutcheon and Fiona McGaughey -- Part I: Copyright's rights in art -- 1. Making art from words: the picturisation adaptation right in copyright law / Jani McCutcheon -- 2. The fine art of rummaging: successors and the life cycle of copyright / Eva E Subotnik -- Part II: Copyright's regulation of art -- 3. Regulating the artist: laws, norms and practices / Chris Dent -- 4. Copying artistic works: copyright, aesthetics, and artistic practice / Jonathan Barrett -- 5. The prince and the president's daughter: a tale of copyright and contemporary art / Julian R Murphy and Nicholas Modrzewski -- Part III: The outer boundaries of art in law -- 6. The curator's copyright / Alana Kushnir -- 7. Patentability and fine art / Michael Blakeney -- 8. Untangling copyright and trade marks in art and advertising / Amanda Scardamaglia ---9. Demystifying colour regulation in art - protecting substances, appearances and beyond / Ema Denby, Paul Green-Armytage and Jani McCutcheon -- Part IV: Regulating 'bad' art -- 10. Preventing art forgery and fraud through emerging technology: application of a regulatory pluralism model / Jade Lindley -- 11. The effectiveness of Australia's legal system in addressing problematic artwork / Dan Mossenson -- Part V: Art, law and the public interest -- 12. Preserving street art and graffiti: can the law reconcile the (often conflicting) rights of artists, property owners and local communities? / Enrico Bonadio -- 13. Classifying art in diverse legal regimes: the function-aesthetic divide and the public interest / Marta Iljadica -- Part VI: Art critiquing or girding legal systems -- 14. The exorcist: law's crimes and art's super powers / Desmond Manderson -- 15. Lady injustice: inequality and legal iconography / Ben Wardle -- Part VII: Law in art ---16. Intellectual property law as artistic medium / Shane Burke -- 17. On the nullians / Jani McCutcheon -- 18. Thinking through seeing: legal minds and images / Ruth Herz -- Part VIIi multiplicity of interpretations -- 19. The public good in poetic justice: on the art (and law) of Felix Gonzalez-Torres / Sonia K Katyal -- 20. The decommission Of i see red : a case study in the relations between art and law / Lee Harrop and Nicolas J Bullot -- Part IX: Art, law, violence and crime -- 21. A law unto themselves: murals in the northern Ireland conflict / Fiona McGaughey -- 22. Breaking the frame: abortion under arrest in contemporary visual art? / Natalie Linda Jones -- 23. The artist turned criminal: emotional obstacles to severing the body from the body of work / Gregory Dale -- Part X: art in international law -- 24. Art and human rights law / Sarah Joseph -- 25. Image and art in the whaling in the antarctic case / Alice Palmer -- Index. | |
| 520 | 9 | |a "Featuring international contributions from leading and emerging scholars, this innovative Research Handbook presents a panoramic view of how law sees visual art, and how visual art sees law. It resists the conventional approach to art and law as inherently dissonant - one a discipline preoccupied with rationality, certainty and objectivity; the other a creative enterprise ensconced in the imaginary and inviting multiple, unique and subjective interpretations. Blending these two distinct disciplines, this unique Research Handbook bridges the gap between art and law. This highly original Research Handbook provides stimulating and provocative discussions that bring together multiple perspectives on how art and law relate to each other in all of their various manifestations, across diverse legal regimes, fields, contexts, and times. With the objective of starting an interdisciplinary dialogue on visual art and the law, this Research Handbook reflects the varied voices of lawyers, artists, criminologists and curators, and engages with broad notions of the two fields, exploring established themes alongside new areas and unfamiliar questions. Wide-ranging and accessible, the Research Handbook on Art and Law will be of interest to law students and scholars engaged with the fields of law and the visual arts, as well as copyright lawyers, art historians and socio-legal scholars"-- |9 eng | |
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