Non-conventional copyright : do new and atypical works deserve protection? /
Copyright law constantly evolves to keep up with societal changes and technological advances. Contemporary forms of creativity can threaten the comfortable conceptions of copyright law as creative people continually find new ways of expressing themselves. In this context, Non-Conventional Copyright...
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| Další autoři: | , |
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| Typ dokumentu: | Kniha |
| Jazyk: | Angličtina |
| Vydáno: |
Cheltenham :
Edward Elgar Publishing,
2018
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| Témata: | |
| On-line přístup: | Elektronická verze přístupná pouze pro studenty a pracovníky MU |
| Příbuzné jednotky: | Tištěná verze::
Non-conventional copyright : do new and atypical works deserve protection? |
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| 072 | 7 | |a 347.7 |x Obchodní právo. Finanční právo. Právo průmyslového vlastnictví. Patentové právo. Autorské právo |2 Konspekt |9 16 | |
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| 245 | 0 | 0 | |a Non-conventional copyright : |b do new and atypical works deserve protection? / |c edited by Enrico Bonadio and Nicola Lucchi |
| 264 | 1 | |a Cheltenham : |b Edward Elgar Publishing, |c 2018 | |
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| 505 | 0 | |a Introduction: Setting the scene for non-conventional copyright / Enrico Bonadio and Nicola Lucchi -- Part 1 - Art -- 1. Copyright in the expanded field: on land art and other new mediums / Xiyin Tang -- 2. Copyright and conceptual art / Shane Burke -- 3. Copyright in bioart / Jani McCutcheon -- 4. Street art, graffiti and copyright / Enrico Bonadio -- 5. Copyright protection of tattoos / Yolanda King -- 6. Copyright in culinary presentations / Cathay Smith -- Part II - Music and culture -- 7. Protecting traditional music under Copyright (and choosing not to enforce it) / Luke McDonagh -- 8. Music improvisation and copyright / Giuseppe Mazziotti -- 9. Original compilations of musical works: can DJ sets be protected by copyright? / Tom Iverson -- 10. Copyright protection for comedic material / Trevor Gates -- 11. Now you own it, now you don't-or do you?: copyright and related rights in magic productions and performances / Jay Dougherty -- 12. Copyright protection of sport moves / Péter Mezei -- Part III - Industry and science -- 13. Copyright and typefaces / Arul George Scaria and Mathews George -- 14. The press publication right in the European Union: an overreaching proposal and the future of news online / Stavroula Karapapa -- 15. Law and Odor: elusive copyright and other IP protection for fragrances / Charles Cronin -- 16. SUbsistence of copyright over CAD files in 3D printing: the Canadian, the U.S. and European outlook / Teshager Dagne -- 17. Copyrightability of engineered DNA sequences / Nicola Lucchi -- 18. Artificial intelligence, computer generated works and copyright / Massimo Maggiore -- Part IV - Illegality and immorality -- 19. Copyright protection of illegal works / Eldar Haber -- 20. Copyright and pornography / Enrico Bonadio and Nicola Lucchi -- 21. On how to deal with pandora's box - copyright in works of Nazi leaders / Marc Mimler -- Economic epilogue -- 22. Non-conventional copyright: an economic perspective / Tim Dornis -- Index. | |
| 520 | 9 | |a Copyright law constantly evolves to keep up with societal changes and technological advances. Contemporary forms of creativity can threaten the comfortable conceptions of copyright law as creative people continually find new ways of expressing themselves. In this context, Non-Conventional Copyright identifies possible new spaces for copyright protection. With current copyright law in mind, the contributions explore if the law should be more flexible as to whether new or unconventional forms of expression - including graffiti, tattoos, land art, conceptual art and bio art, engineered DNA, sport movements, jokes, magic tricks, DJ sets, 3D printing, works generated by artificial intelligence, perfume making, typefaces, or illegal and immoral works - deserve protection. Vitally, the contributors suggest that it may be time to challenge some of the basic tenets of copyright laws by embracing more flexible ways to identify protectable works and interpret the current requirements for protection. Additionally, some contributors cast doubts about whether copyright is the right instrument to address and regulate these forms of expression. Contemporary in topic, this thought-provoking book will be essential reading for intellectual property law scholars, practitioners and policymakers. Creative people and those involved in the creative industries will also find this book an engaging read. |9 eng | |
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