The epic gaze : vision, gender and narrative in ancient epic /
The epic genre has at its heart a fascination with the horror of viewing death. Epic heroes have active visual power, yet become objects, turned into monuments, watched by two main audiences: the gods above and the women on the sidelines. This stimulating, ambitious study investigates the theme of v...
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| Hlavní autor: | |
|---|---|
| Typ dokumentu: | Kniha |
| Jazyk: | Angličtina Řečtina, starověká (do 1453) Latina |
| Vydáno: |
New York :
Cambridge University Press,
2013
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| Vydání: | First published |
| Témata: | |
| On-line přístup: | Elektronická verze přístupná pouze pro studenty a pracovníky MU |
| Příbuzné jednotky: | Tištěná verze::
Epic gaze |
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| 100 | 1 | |a Lovatt, Helen, |d 1974- |4 aut | |
| 245 | 1 | 4 | |a The epic gaze : |b vision, gender and narrative in ancient epic / |c Helen Lovatt |
| 246 | 3 | 0 | |a Vision, gender and narrative in ancient epic |
| 250 | |a First published | ||
| 264 | 1 | |a New York : |b Cambridge University Press, |c 2013 | |
| 300 | |a 1 online zdroj (x, 414 stran) | ||
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| 505 | 0 | |a The divine gaze -- The mortal gaze -- The prophetic gaze -- Ecphrasis and the other -- The female gaze -- Heroic bodies on display -- The assaultive gaze -- Fixing it for good : Medusa and monumentality. | |
| 520 | 2 | 9 | |a The epic genre has at its heart a fascination with the horror of viewing death. Epic heroes have active visual power, yet become objects, turned into monuments, watched by two main audiences: the gods above and the women on the sidelines. This stimulating, ambitious study investigates the theme of vision in Greek and Latin epic from Homer to Nonnus, bringing the edges of epic into dialogue with celebrated moments (the visual confrontation of Hector and Achilles, the failure of Turnus'gaze), revealing epic as massive assertion of authority and fractured representation. Helen Lovatt demonstrates the complexity of epic constructions of gender: from Apollonius'Medea toppling Talos with her eyes to Parthenopaeus as object of desire. She discusses mortals appropriating the divine gaze, prophets as both penetrative viewers and rape victims, explores the divine authority of epic ecphrasis, and exposes the way that heroic bodies are fragmented and fetishised. |9 eng |
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