Utopias and architecture /
Utopian thought, though commonly characterized as projecting a future without a past, depends on golden models for re-invention of what is. Through a detailed and innovative re-assessment of the work of three architects who sought to represent a utopian content in their work, and a consideration of...
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| Hlavní autor: | |
|---|---|
| Typ dokumentu: | Kniha |
| Jazyk: | Angličtina |
| Vydáno: |
London :
Routledge, Taylor & Francis Group,
2005
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| Vydání: | First published |
| Témata: | |
| On-line přístup: | Elektronická verze přístupná pouze pro studenty a pracovníky MU |
| Příbuzné jednotky: | Tištěná verze::
Utopias and architecture |
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| 100 | 1 | |a Coleman, Nathaniel, |d 1961- |7 ctu2013745589 |4 aut | |
| 245 | 1 | 0 | |a Utopias and architecture / |c Nathaniel Coleman |
| 250 | |a First published | ||
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| 505 | 0 | |a Introduction : utopias and architectures? -- Conceptualizing utopias -- Architecture and orientation -- Situating utopias -- Real fictions -- Varieties of architectural utopias -- Post war possibilities -- Optimistic architectures -- Le Corbusier's monastic ideal -- The life within -- Fairy tales and golden dust -- Kahn and Salk's challenge to dualistic thinking -- Aldo van Eyck's utopian discipline -- Story of another idea -- The unthinkability of utopia -- Into the present | |
| 520 | 2 | 9 | |a Utopian thought, though commonly characterized as projecting a future without a past, depends on golden models for re-invention of what is. Through a detailed and innovative re-assessment of the work of three architects who sought to represent a utopian content in their work, and a consideration of the thoughts of a range of leading writers, Coleman offers the reader a unique perspective of idealism in architectural design. With unparalleled depth and focus of vision on the work of Le Corbusier, Louis I Kahn and Aldo van Eyck, this book persuasively challenges predominant assumptions in current architectural discourse, forging a new approach to the invention of welcoming built environments and transcending the limitations of both the postmodern and hyper-modern stance and orthodox modernist architecture. |9 eng |
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