Problem der künstlerischen Autonomie um 1800. Fiktive Musiker and der Schwelle zwischen Empirie und Phantasie
Předkládaná dizertační práce mapuje problematiku literární reflexe vývoje autonomního postavení umělce na přelomu 18. a 19. století. Řada historicko-společenských změn v tomto období se odráží i v novém pohledu na umělce a jeho tvorbu. Zvolená problematika je mj. zasazena do dobového hudebně estetic...
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| Další autoři: | |
| Typ dokumentu: | VŠ práce nebo rukopis |
| Jazyk: | Němčina |
| Vydáno: |
2010
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| Témata: | |
| On-line přístup: | http://is.muni.cz/th/68398/ff_d/ |
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| STA | |a POSLANO DO SKCR |b 2019-11-27 | ||
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| 040 | |a BOD114 |b cze |d BOD001 | ||
| 072 | 7 | |a 821.112.2.09 |x Německá literatura, německy psaná (o ní) |2 Konspekt |9 11 | |
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| 100 | 1 | |a Jaklová, Helena, |d 1976- |7 mzk2012694244 |% UČO 68398 |4 dis | |
| 242 | 1 | 4 | |a The problem of artist autonomy around the year 1800. Fictitious musicians on the threshold of empiricism and phantasy |y eng |
| 245 | 1 | 0 | |a Problem der künstlerischen Autonomie um 1800. Fiktive Musiker and der Schwelle zwischen Empirie und Phantasie |h [rukopis] / |c Helena Baudyšová |
| 260 | |c 2010 | ||
| 300 | |a 182 L. | ||
| 500 | |a Vedoucí práce: Jiří Munzar | ||
| 502 | |a Dizertace (Ph.D.)--Masarykova univerzita, Filozofická fakulta, 2010 | ||
| 520 | 2 | |a Předkládaná dizertační práce mapuje problematiku literární reflexe vývoje autonomního postavení umělce na přelomu 18. a 19. století. Řada historicko-společenských změn v tomto období se odráží i v novém pohledu na umělce a jeho tvorbu. Zvolená problematika je mj. zasazena do dobového hudebně estetického kontextu, zmiňují se však i pozdější ohlasy jednak v díle A. Schopenhauera a jednak v podobě polemiky Taddaye s Dahlhausem. Celkový obraz umělce v kontextu dobového vývoje doplňují zmínky o změnách v oblasti ekonomie a úvahy o diletantizmu. Těžištěm práce je prezentace vývoje autonomie umělce na vybraných literárních postavách hudebníků. Zvolená linie fiktivních biografií Andrease Hartknopfa (C. Ph. Moritz), Heinricha Wilhelma Guldena a Franze Hermenfrieda (J. F. Reichardt), Josepha Berglingera (Wackenroder/Tieck) a konečně Johanese Kreislera (E. T. A. Hoffman) se ukázala jako nosná v tom smyslu, že jednak jde zčásti o méně známá díla německé literatury a jednak tato volba umožnila prez |% cze | |
| 520 | 2 | 9 | |a The present doctoral thesis deals with the topic of literary reflection on the autonomous position of an artist at the end of the 18th and the beginning of the19th century. A number of historical and social changes of this period were reflected in the new way of looking at the artist and his work. The chosen topic is established within the period musical and aesthetic context, later traces can be found not only in the work of A. Schopenhauer but also within the dispute between Tadday and Dahlhaus. The complete image of an artist in the context of the period development is amended with information on changes in the area of economy and considerations on dilettantism. The thesis focuses on the presentation of the development of an artist’s autonomy on the example of selected literary characters of musicians. The selected corpus of fictional biographies including those of Andreas Hartknopf (C. Ph. Moritz), Heinrich Wilhelm Gulden and Franz Hermenfried (J. F. Reichardt), Joseph Berglinger ( |9 eng |
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| 650 | 0 | 9 | |a artists |2 eczenas |
| 650 | 0 | 9 | |a German literature |2 eczenas |
| 650 | 0 | 9 | |a literary criticism and history |2 eczenas |
| 650 | 0 | 9 | |a literary characters |2 eczenas |
| 650 | 0 | 9 | |a literary themes |2 eczenas |
| 655 | 7 | |a disertace |7 fd132024 |2 czenas | |
| 655 | 9 | |a dissertations |2 eczenas | |
| 658 | |a Filologie (čtyřleté) |b Německá literatura |c FF D-FI4 NELI (NELI) |2 CZ-BrMU | ||
| 700 | 1 | |a Munzar, Jiří, |d 1937- |7 jk01082476 |% UČO 1721 |4 ths | |
| 710 | 2 | |a Masarykova univerzita. |b Ústav germanistiky, nordistiky a nederlandistiky |7 olak2002158666 |4 dgg | |
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