Zum Problem der Identität in Max Frischs Drama Andorra
Tato práce se snaží postihnout a na základě dostupné literatury shrnout zásadní rys tvorby švýcarského spisovatele Maxe Frische. Jeho podstatou je hledání vlastní identity jedince v prběhu celého jeho života. Tohoto jedince modelov pedstavují hrdinové Frischova prozaického i dramatického díla, kteří...
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| Hlavní autor: | |
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| Další autoři: | |
| Typ dokumentu: | VŠ práce nebo rukopis |
| Jazyk: | Němčina |
| Vydáno: |
2006
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| Témata: | |
| On-line přístup: | http://is.muni.cz/th/75182/ff_b/ |
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| 100 | 1 | |a Sedláčková, Jaroslava |% UČO 75182 |* [absolvent FF MU] |4 dis | |
| 242 | 1 | 4 | |a The matter of identity in the drama Andorra by Max Frisch. |y eng |
| 245 | 1 | 0 | |a Zum Problem der Identität in Max Frischs Drama Andorra |h [rukopis] / |c Jaroslava Sedláčková |
| 260 | |c 2006 | ||
| 300 | |a 42 l. | ||
| 500 | |a Vedoucí práce: Jiří Munzar | ||
| 502 | |a Bakalářská práce (Bc.)--Masarykova univerzita, Filozofická fakulta, 2006 | ||
| 520 | 2 | |a Tato práce se snaží postihnout a na základě dostupné literatury shrnout zásadní rys tvorby švýcarského spisovatele Maxe Frische. Jeho podstatou je hledání vlastní identity jedince v prběhu celého jeho života. Tohoto jedince modelov pedstavují hrdinové Frischova prozaického i dramatického díla, kteří odrážejí podvdomí každého lovka. V mé práci se snažím tyto aspekty Frischovy tvorby ukázat na dramatu Andorra (1961), které je mimoto analyzováno z hlediska jeho formy, struktury a obsahu. Pro kompaktní pochopení Frischovy tvorby bylo také nezbytné alespoň hrubě nastínit historické pozadí divadelního vývoje v Německu v období po druhé sěvtové až do počátku 60. let. 20. století; vysvětlit pojem divadelní žánr Parabel, který je pro Andorru typický a poté ve zkratce piblížit koncepci divadelní tvorby Bertolta Brechta (episches Theater a Parabeltheater) i Friedricha Dürrenmatta. |% cze | |
| 520 | 2 | 9 | |a In my thesis I have tried to encompass the writings of the Swiss writer Max Frisch and to summarize their main features on the basis of the available literature of his. They are based on the depiction of an individual seeking for his or her own identity in the course of his or her whole life, the individual being represented by the characters of Frischs prosaic and dramatic works who reflect the sub-consciousness of every human being. I have tried to demonstrate these aspects of Frischs work on his play Andorra (1961) in which I have, apart from that, analyzed its form, structure, and contents. In order to let the reader wholly understand Frischs work it was also necessary to at least roughly outline the historical background of the evolution of the German drama during the period between the end of the Second World War and the beginning of the 1960s, to explain the notion of the Parabel drama genre which is typical of Andorra and then to roughly outline the conception of the drama pr. |9 eng |
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| 710 | 2 | |a Masarykova univerzita. |b Ústav germanistiky, nordistiky a nederlandistiky |7 olak2002158666 |4 dgg | |
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